Friday, July 29, 2005
About Me
Photo: Holi 1999, DelhiWriter and senior editor at Link, Baltimore's critical journal on the arts
Previous Posts
- Kaus on Roberts
- To the beach
- The best album cover in a long time
- Drawing Restraint
- Photobooth
- The new economy and the pursuit of happiness
- MoCo Loco roundup
- Shhhh!
- Ten things from Nashville
- Earthworks
- Review: SlideShow at the Baltimore Museum of Art
- Review: Cram Sessions 03: Sound Politics at the Baltimore Museum of Art
- Crabtown entries
- Quiet places: Greenmount Cemetery
- Political art: One Nice Thing
- Pop culture and the Middle East
- Pop music, novelty, and aging
- More from the television wars: does TV make you smarter?
- The ideal woman: Sita Sings the Blues
- “No boots in the shower”: Nike and curated advertising
- Temples: a visit to the Pompidou
- Review: Laurie Anderson’s End of the Moon
- P.T. Barnum's lost museum
- Pamuk’s Snow
- The Al-Azhar gardens
- Thing, Greater New York, and the museums of Los Angeles
- The Manhattanization of Los Angeles: eating, drinking, and driving between Silver Lake and downtown
- Johns and Rauschenburg: a way in
- The decline of war
- 1776: George Washington and artifice
- Coudal Partners
- Giornale Nuovo
- Marginal Revolution
- Modern Art Notes
- MoCo Loco
- Bull Moose
- Design Observer
- Pullquote
- Reality Blurred
- BoingBoing
- The Decembrist
- TPM Café
- Scribblingwoman
- Slate
- Gridskipper
- Abu Aardvark
- Monkey v. Robot
- spare room
- J's Theater
- Jason Urban
- The Mobtown Shank
- Living the Romantic Comedy
- Edward_ Winkleman
- The Hanged Man
Power, Politics, and Culture: Interviews with Edward Said
Edward Said
(Gauri Viswananathan, ed)
Pantheon, 2001
•
Edward Said
(Gauri Viswananathan, ed)
Pantheon, 2001
•
- Jenny Holzer
- Bill Clinton
- Salman Rushdie
- Marcel Duchamp
- Andrei Tarkovsky
- Cynthia Ozick
- Hugh Kenner
- Roberto Calasso
- Arthur Danto
- Aleksandr Rodchenko
- Krzysztof Kieslowski
- George Washington
- Augustine of Hippo
- Sir Richard Francis Burton
- Ian Hacking
- Thierry de Cordier
- Lawrence Weschler
- Neil Young
- Barry Bonds
- Abraham Lincoln
- René Descartes
- Theodore Roosevelt
- Jon Miller
- Kurt Gödel
- Anselm Kiefer
- Louis Menand
- Michael Kinsley
- Richard Rorty
- Al Green
- Joseph Cornell
- Orhan Pamuk
- Andy Warhol
- Otto Wagner
- Antoni Gaudí
- James Turrell
- Thomas Pynchon
- Greil Marcus
- Hunter Thompson
- Naguib Mahfouz
- David Wilson
- Secretariat
- Clara Erskine Clement
- Garry Wills
- Jack Lord
- Martin Amis
- Barbara Ellis
- Joe Wolfson
- Sue Duling
- Susan Haberlander
- Don Milstead
- Ronald V. Book
- Dana Angluin
- Martin Davis
- R. James Fritsch
- Kenneth C. Leonard
- Dennis Bartel
- Terry Hilt
- Rooftop café at Hotel CTM, Marrakech
- Greenmount Cemetery, Baltimore
- Beyazit, Istanbul
- The Tuileries, Paris
- The Pantheon, Rome
- Quai des Etats-Unis, Nice
- City of the Dead, Cairo
- Ibn Tulun, Cairo
- Saqqara (also here), Cairo
- An outdoor table at Félix (under Rachel Whiteread's Water Tower, now dismantled), NYC
- Piazza Maggiore, Bologna
- Essaouira
- The blue cacophony of Jodphur
- Jama Masjid, Delhi
- Bobby Maduro Stadium (destroyed), Miami
- Hialeah Park (closed), Miami
- Brigitte Bardot
- Rachel Weisz
- Angelina Jolie
- Jennifer Connelly
- Jessica Alba
- Cate Blanchett
- Isabella Rosellini
- Marlene Dietrich
- Anna Beatriz Barros
- Wonder,
the Rainbow, and the Aesthetics of Rare Experiences (Harvard
University Press, 1996)
—Philip Fisher
- After
the End of Art: Contemporary Art and the Pale of History
(Princeton University Press, 1996)
—Arthur C. Danto
- Mr.
Wilson's Cabinet of Wonder: Pronged Ants, Horned Humans, Mice on
Toast, and Other Marvels of Jurassic Technology (Pantheon,
1995)
—Lawrence Weschler
- Libraries
of the Ancient World (Yale University Press, 2001)
—Lionel Casson
- The
Riddle and the Knight: In Search of Sir John Mandeville (FSG,
2001)
—Giles Milton
- The
Marriage of Cadmus and Harmony (Knopf, 1993)
—Roberto Calasso
- The
Travels of Sir John Mandeville (Penguin Classics, 1984)
—Sir John Mandeville
- Devices
of Wonder: From the World in a Box to Images on a Screen
(Getty, 2001)
—Barbara Maria Stafford & Frances Terpak
- Metamorphosis
and Identity (Zone, 2001)
—Caroline Walker Bynum
- Travel
in the Ancient World (Johns Hopkins University Press, 1994)
—Lionel Casson
- Route 66 A.D.:
On the Trail of Ancient Roman Tourists, AKA Pagan
Holiday (Random House, 2002)
—Tony Perrottet
- The
Seven Wonders of the World (Seven Dials, 2001)
—John & Elizabeth Romer
- The
Ecstatic Journey: Athanasius Kircher in Baroque Rome
(University of Chicago Library, 2000)
—Ingrid D. Rowland
- Wonders
and the Order of Nature, 1150-1750 (Zone, 1998)
—Lorraine Daston & Katharine Park
- New
Media, 1740-1915 (MIT Press, 2003)
—Lisa Gitelman & Geoffrey B. Pingree, eds.
- Public
Culture in the Early Republic: Peale's Museum and Its Audience
(Smithsonian Books, 1995)
—David R. Brigham
- Restless
Bones: The Story of Relics (Constable, 1985)
—James Bentley
- Pilgrimage:
Past and Present in the World Religions (Harvard University
Press, 1997)
—Simon Coleman & John Elsner
- James
Turrell: The Other Horizon (Cantz Editions, 2001)
—Peter Noever, ed.
- Going
Out: The Rise and Fall of Public Amusements (Harvard
University Press, 1999)
—David Nasaw
- Sphinx:
History of a Monument (Cornell University Press, 1997)
—Christiane Zirie-Coche
- Visual
Display: Culture Beyond Appearances (Bay Press, 1995)
—Lynne Cooke & Peter Wollen, eds.
- Alchemy
and Mysticism: The Hermetic Museum (Taschen, 2005)
—Alexander Roob
After
the End of Art: Contemporary Art and the Pale of
History
Arthur C. Danto
Princeton University Press, 1996
Arthur C. Danto
Princeton University Press, 1996
4 Comments:
Oh Lord don't get me started on Ms. Vitti (and it's not just because I have an Italian ex-wife who shared her amazingly mercurial, turn-on-a-dime emotional palette, I was in love with her ever since I saw L'Avventura as a teen), I'll just note this: while some actresses are totally Of Their Era (Crawford and Davis come to mind), Vitti transcends. I watched the Criterion L'Eclisse not long ago and was struck by how totally, completely contemporary she seemed to be, in every gesture, attitude and expression...
This comment has been removed by a blog administrator.
I'm less taken with Vitti as a beauty or personality per se than how she fits into the framework of Antonioni's cinematic genius. Her performance in L'Avventura is superb, but in L'Eclisse it's remarkable, I think because there's less film to hang it on, and so its lyricism is utterly essential. In The Red Desert she again is superb, but the real star in that work is Antonioni's formal achievement, his compositions, his use of color, the poetry of imagery that all provoke astonishment. I sometimes think another actress could have played Vitti's role in this movie, though maybe not as well. Still, I give her props for what she was able to achieve, before she found herself in . Watching these films again, this time on DVD, I can see why Sontag's and others' enthusiasm for Antonioni was so great. Vitti was central to that.
Oops, that didn't turn out quite right. It should have read The bit about Sontag shouldn't have been hyperlinked....
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